Tito Salomoni Dreamland Print Lithograph on Arches Archival Paper

Tito Salomoni
Dreamland – 1979
Print – Lithograph on Arches Archival Paper 21.0” x 27.0”
Edition: signed in pencil and numbered 193/200

Tito Salomoni devoted himself to surrealism for more than twenty years begining in 1968. He succeeds through the effectiveness of his colors as well as through the dream-like imagination which is the characteristic element of surrealist painting.

The work of Salomoni takes the shape of a charade and the spectator is given the task of finding the answer. The artist, for his part, seeks and nearly always succeeds to see inside objects, beyond walls, fabrics, beyond the very bone structure of men to extract from them the essence, the thoughts, in a counterplay of illusion, pregnant with meaning.

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Description

Tito Salomoni devoted himself to surrealism for more than twenty years begining in 1968. He succeeds through the effectiveness of his colors as well as through the dream-like imagination which is the characteristic element of surrealist painting.

The work of Salomoni takes the shape of a charade and the spectator is given the task of finding the answer. The artist, for his part, seeks and nearly always succeeds to see inside objects, beyond walls, fabrics, beyond the very bone structure of men to extract from them the essence, the thoughts, in a counterplay of illusion, pregnant with meaning.

Additional information

Weight 4 lbs
Dimensions 35 × 5 × 4 in
Edition Size

193/200

Size Type/Largest Dimension

Medium (Up to 30in.)

Date of Creation

Listed By

Dealer or Reseller

Style

Subject

Signed

Signed

Edition Type

Limited Edition

Print Type - Production Technique

Framing

Artist Name

Certificate of Authenticity

yes

Item height

21

Item Length

27

Medium / Type

Item Width

0.1

Tito Salomoni Dreamland Print Lithograph on Arches Archival Paper

Tito Salomoni Dreamland - 1979 Print - Lithograph on Arches Archival Paper 21.0'' x 27.0'' Edition: signed in pencil and numbered 193/200 Tito Salomoni devoted himself to surrealism for more than twenty years begining in 1968. He succeeds through the effectiveness of his colors as well as through the dream-like imagination which is the characteristic element of surrealist painting. The work of Salomoni takes the shape of a charade and the spectator is given the task of finding the answer. The artist, for his part, seeks and nearly always succeeds to see inside objects, beyond walls, fabrics, beyond the very bone structure of men to extract from them the essence, the thoughts, in a counterplay of illusion, pregnant with meaning.

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