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PETER MAX Original Signed Silkscreen SPACE LANDSCAPE 78

Peter Max
Space Landscape II – 1978
Print – Silkscreen, on Arches Paper  22″ x  30” in.
Edition: sigend in pencil and marked 8/250
Original hand pulled vintage silkscreen

Slight discoloration in the image. SEE PHOTOS

Beginning in the 1960s Peter Max has been rendering vibrant cosmic landscapes which have striking visual parallels to the themes that were being expressed by The Beatles; mind expansion, intergalactic journeys, fantastic timless landscapes, colorful portaraits of curious characters, and above all love for fellow man.

Certainly the subject of Max’s work often reflects his own social and spiritual interests alongside his aesthetic and formal concerns. Throughout the past two decades he became a champion of many causes ranging from environmentalism and the campaign for Tibet, to the restoration of the Statue of Liberty.

$2,250.00

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Additional information

Subject

Signed

Signed
Edition Type

Limited Edition
Style

Size Type/Largest Dimension

Medium (Up to 30")
Date of Creation

Listed By

Dealer or Reseller
Edition Size

8/100
Print Type - Production Technique

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PETER MAX Original Signed Silkscreen SPACE LANDSCAPE 78

Peter Max Space Landscape II - 1978 Print - Silkscreen, on Arches Paper  22" x  30'' in. Edition: sigend in pencil and marked 8/250 Original hand pulled vintage silkscreen Slight discoloration in the image. SEE PHOTOS Beginning in the 1960s Peter Max has been rendering vibrant cosmic landscapes which have striking visual parallels to the themes that were being expressed by The Beatles; mind expansion, intergalactic journeys, fantastic timless landscapes, colorful portaraits of curious characters, and above all love for fellow man. Certainly the subject of Max's work often reflects his own social and spiritual interests alongside his aesthetic and formal concerns. Throughout the past two decades he became a champion of many causes ranging from environmentalism and the campaign for Tibet, to the restoration of the Statue of Liberty.

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