Michael Challenger Early Morning Rose 1970 Hand Signed Art Silkscreen OP Art

Michael Challenger

Early Morning Rose – 1972
Print – Silkscreen   31” x 22.5” in.
Edition: Signed in pencil and marked HC

Challenger’s work is a powerful interplay of op-art and constructivism. His graphic work evokes the counter- play of shapes, forms and color of his predecessors, including Albers and Escher; but in a stronger and yet playful way.

Although Challenger ably plots new horizons with his illusionist scenery, his concern is more with the credible realization of improbable figures without alienating his audience with an esoteric language.

He uses simple units and the flat, hard-edged colours are deployed with cool detachment and yet, in spite of clear-cut geometric shapes, his paintings always defy one interpretation.

$1,200.00

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Description

Challenger’s work is a powerful interplay of op-art and constructivism. His graphic work evokes the counter- play of shapes, forms and color of his predecessors, including Albers and Escher; but in a stronger and yet playful way.

Although Challenger ably plots new horizons with his illusionist scenery, his concern is more with the credible realization of improbable figures without alienating his audience with an esoteric language.

He uses simple units and the flat, hard-edged colours are deployed with cool detachment and yet, in spite of clear-cut geometric shapes, his paintings always defy one interpretation.

Additional information

Weight 4 lbs
Dimensions 35 × 5 × 4 in
Print Type - Production Technique

Subject

Signed

Signed

Edition Type

Limited Edition

Style

Date of Creation

Listed By

Dealer or Reseller

Edition Size

HC

Artist Name

Certificate of Authenticity

yes

Framing

Item height

31

Item Length

22.5

Medium / Type

Item Width

0.1

Michael Challenger Early Morning Rose 1970 Hand Signed Art Silkscreen OP Art

Michael Challenger Early Morning Rose - 1972 Print - Silkscreen   31'' x 22.5'' in. Edition: Signed in pencil and marked HC Challenger's work is a powerful interplay of op-art and constructivism. His graphic work evokes the counter- play of shapes, forms and color of his predecessors, including Albers and Escher; but in a stronger and yet playful way. Although Challenger ably plots new horizons with his illusionist scenery, his concern is more with the credible realization of improbable figures without alienating his audience with an esoteric language. He uses simple units and the flat, hard-edged colours are deployed with cool detachment and yet, in spite of clear-cut geometric shapes, his paintings always defy one interpretation.

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