Additional information
| Signed | Signed |
|---|---|
| Edition Type | Limited Edition |
| Subject | |
| Style | |
| Date of Creation | |
| Listed By | Dealer or Reseller |
| Size Type/Largest Dimension | Medium (Up to 30") |
| Print Type - Production Technique |
Guillaume Corneille Les Deux Amies Signed Sexy Art Lithograph 1979
Guillaume Corneille
Les Deux Amies 1979
Print, Signed Lithograph on wove paper
25.5 x 19.5 ” inches
Signed in pencil and dated and marked 31/250
Hinges attached from previous matting. Otherwise Excellent condition
As a co-founder of the famed experimental artist group CoBrA – one of the significant european art movements of the 20th century, Corneille (Guillaume van Beverloo) became a leading abstract expressionist painter and printmaker.
Corneille has been linked to Klee’s idea of finding a single formula to comprise man, beast, plants, earth, fire, water and air. His works include certain recurring exotic symbolic forms from his foreign travels.
For Corneille the woman’s body is a source of mystery and desire and he developed a dense visual vocabulary of icons and symbols that mirrored the many meanings that the woman held for him.
Since his first solo show in 1946, he has enjoyed more than 190 one-man shows and four museum retrospectives.
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Guillaume Corneille Les Deux Amies Signed Sexy Art Lithograph 1979
Guillaume Corneille Les Deux Amies 1979 Print, Signed Lithograph on wove paper 25.5 x 19.5 " inches Signed in pencil and dated and marked 31/250 Hinges attached from previous matting. Otherwise Excellent condition As a co-founder of the famed experimental artist group CoBrA - one of the significant european art movements of the 20th century, Corneille (Guillaume van Beverloo) became a leading abstract expressionist painter and printmaker. Corneille has been linked to Klee's idea of finding a single formula to comprise man, beast, plants, earth, fire, water and air. His works include certain recurring exotic symbolic forms from his foreign travels. For Corneille the woman's body is a source of mystery and desire and he developed a dense visual vocabulary of icons and symbols that mirrored the many meanings that the woman held for him. Since his first solo show in 1946, he has enjoyed more than 190 one-man shows and four museum retrospectives.
