Warrington Colescott
Working in that area which he calls “..that black zone between tragedy and high comedy, where with a little pull or push one way or the other you can transmute screams into laughter…” Warrington Colescott examines the society of today, its virtues and its inequities. To strengthen satire, he juxtaposes humor and violence; to reinforce a comment on a current situation, he makes use of historical reference.
The prints show his mastery of numerous technical printing processes. Employing additive and subtractive techniques, the final result is a printed collage. He uses various methods to apply color, relying on relief and spot inking, careful wiping, and the use of stencil techniques to achieve proper color density, balance and registration.

The humor is bittersweet; the images are thought-provoking, the quality of the printmaking is outstanding.
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Warrington Colescott Famous American Riots II Railroad 1969 Limited Edition Lithograph
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Warrington Colescott CUSTAR’S LAST STAND 1969 Signed Lithograph
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Warrington Colescott High Noon for Hoot Gibson 1968 Limited Edition Signed Lithograph
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Warrington Colescott Signed Lithograph 1969 HOME ON THE RANGE Original Art
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Warrington Colescott Music Medicine and Sport Signed 1966 Limited Edition Etching
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Warrington Colescott Signed 1966 Collage Dedication Unique Art
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Warrington Colescott Signed 1967 Limited Edition Lithogaph
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Warrington Colescott George the Wonder Horse Signed Art
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Warrington Colescott Dillinger: Attack and Defense of Little Bohemia 1966
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Warrington Colescott Fracas at Calamity’s Place Signed Lithograph
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Warrington Colescott Cowboys and Indians 1969 Original Lithograph
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